Sunday Morning Coffee [Skin]



Miru Kim’s Composition 4 via the artist’s website.

Read more about Miru Kim (above) in the article I wrote a few months ago.

Fashion, science, cloning: Hybrid Skins. “The creepy, animalistic pieces envision a time where the body and nature are able to be copied and personalized.” via DesignBoom

Carefully splashed milk as adornment.

Last week my students and I visited Think First, Shoot Later at the MCA. We had a fantastic discussion about Gillian Wearing’s Self-Portrait at Three Years Old (2004). Look at her eyes.

GIFs of aging.

Wang Ye-Feng’s Transmutation: The Future of Man

Wang Ye-Feng‘s Transmutation: The Future of Man will be at Soapbox Gallery in New York until October 24, 2013. Via Soapbox Gallery: “Technology has become an extension of ourselves, and as the limit between man and machine shifts, we must ask ourselves: where will this limit be in the near and far future? What will the Man of tomorrow look like, and what ethical questions does this evolution raise?”

See some of Wang’s images below:

All images in this post were used with permission from the artist.

Fake Plastic Trees by Choi Xooang

I wrote an article about Choi Xooang for Art Radar Asia a few months ago. He’s been mentioned numerous times in the past on this blog as well. He recently closed the exhibition Fake Plastic Trees. Graywall Art Advisory and Collaboration Projects shared some of the images with me to post here. I reference some of the images in the article mentioned above: “His sculpture Colonization, at just over one hundred centimeters tall, is roughly the height of a large toddler, but with a dog head and a human male body. Despite its miniature size the figure is striking: he seems to be in motion and alert but harnessed by his own skin. The details of the sculpture convey an eerie, non-human, vagabond-like figure fabricated with multiple unmatched parts: the dog head, a mismatched hand, underwear, and laced boots. The most striking of these details is the thick brown stitching that crawls up the dog-headed boy’s back. The chest skin is worn like a vest. Choi disallows the viewer from knowing what truly lies beneath this cobbled figure’s outer layer.”

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